He did not reply to her question. “Master or Mistress Eminent Artist,” he said; “intends to retire from his or her particular stage, whatever it may be. That paragraph ought always to be put among the obituary notices.” They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it.!

The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. “Tell the other women,” he said. “Open their eyes. Tell them of their sons that you have seen dead and dying in the foolish quarrel for which there was no need. Tell them of the foulness, of the cruelty, of the senselessness of it all. Set the women against War. That is the only way to end it.”

It was only a little cross, hers, by comparison. She could see that. They seemed to be standing side by side. But then she was only a woman—little more than a girl. And her courage was so small. She thought He ought to know that. For her, it was quite a big cross. She wondered if He had been listening to all her arguments. There was really a good deal of sense in some of them. Perhaps He would understand. Not all His prayer had come down to us. He, too, had put up a fight for life. He, too, was young. For Him, also, life must have seemed but just beginning. Perhaps He, too, had felt that His duty still lay among the people—teaching, guiding, healing them. To Him, too, life must have been sweet with its noble work, its loving comradeship. Even from Him the words had to be wrung: “Thy will, not Mine, be done.” “What about the other people irritating us?” suggested Joan. “No,” she answered with a laugh, “no matter what happens, I shall always want to be in it.”